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ayoung kim

Ayoung Kim In This Vessel We Shall Be Kept

Palais de Tokyo is hosting the first solo exhibition in France by the Korean artist Ayoung Kim (b. 1979 in Seoul). This follows on from her residency at the Pavillon Neuflize OBC, Palais de Tokyo’s research lab
(November 2015 - June 2016). The immersive sound installation that she presents at Palais de Tokyo takes root in the basement of the Palais Garnier - specifically in the depths of its famous underground “lake” – which she uses to stage a long forgotten mythical flood.

In keeping with her family history, Ayoung Kim has carried out extensive research on a fossil energy that has become a central motif of modernity and globalisation: oil. She recounts the development of the oil industry in the Middle East in her work, Zepheth, Whale Oil From the Hanging Gardens to You, Shell 3, presented in the main exhibition of the 56th Venice Biennale (All the World’s Futures, curator Okwui Enwezor, 2015).

Curator : Chloé Fricout

Exhibition

 #AyoungKim

From 23/06/2016 to 29/08/2016

Open every day except Tuesdays, from noon until midnight

AYOUNG KIM

An artist-in-residence at the Pavillon Neuflize OBC, Palais de Tokyo’s research lab, from November 2015 to June 2016, Ayoung Kim (born 1979 in Seoul) participated in the 56th International Exhibition of the Venice Biennale (2015) and the Serpentine Galleries’ public programme (London, 2016). She recently exhibited at Maraya Art Centre (Sharjah, 2015), SeMA (Seoul, 2014), the Leeum (Seoul, 2012), the Künstlerhaus Bethanien (Berlin, 2011), 176/Zabludowicz Collection (London, 2011) and the Museum of Arts and Design (New York, 2011).

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In This Vessel We Shall Be Kept (2016)

Event organised in the framework of the 2015-2016 France-Korea Year with the support of l’Institut français / www.anneefrancecoree.com. This exhibition benefits from the support of Groupe de Recherches Musicales (GRM) of Institut nat ional de l’audiovisuel.